Tuesday 31 May 2022

Jarrolds' 'Jackdaw' Crime Series

 

Jarrolds may not be a well known name in publishing, but its history stretches back for nearly two centuries. It notably published the first edition of Black Beauty in 1877. By the end of the 1930s, it was part of the Hutchinson Group, which also included John Long, Rich & Cowan, Skeffington and Hurst & Blackett. Penguin had launched its paperbacks in 1935, and Jarrold was one of the publishers to join the rush to get into the paperback market. Like several other companies, they chose another bird's name for their series, and Jackdaw was nicely alliterative. They copied the Penguin model - same size and price (6d.), same standard design cover with a variety of bold colours; the dust wrappers replicated the inside covers. I will probably Blog on the general Jackdaw works another time; the first eight appeared in October 1936; a further eight followed in the first three months of 1937, and four more in June 1937. Only two more appeared, in June 1938. Both were crime titles and, when the series relaunched in 1939, they did so under the title 'Jackdaw' Crime Series. Eight came out that year and another eight by the end of 1940. The books lost their dust wrappers as wartime restrictions and paper rationing occurred. The numbering ended at sixteen, although a few more unnumbered ones appeared, costing 9d.

I have slowly collected both series - they are relatively rare and, occasionally, rather pricey - and, to date I have 16 of the 22 general series (12 with their wrappers); and 12 of the 16 numbered in the crime series (only four in wrappers). They have sat on my shelves for some while, but a ten day holiday in Corfu persuaded me to take eight of the twelve crime series with me. The time was not wasted, as I found them all interesting, even if the detective/murder genre is not one I usually engage with.



Walter Sydney Masterton (1876-1946) was an English author of mystery, horror, fantasy and science fiction. He was educated at Tonbridge School, Weymouth College and Christ's College, Cambridge. He served as a lieutenant in the 3rd Battalion Welsh Regiment in the 2nd Boer War and was made Captain in 1901. He also served in WWI as a Major with the Welsh Regiment. He died in Brighton in May 1946. His The Baddington Horror was the last of the numbered general Jarrold 'Jackdaws' to be published - in June 1938. The Wrong Verdict was the first of the new Crime series in the following year. Two further 'Jackdaws' followed: The Secret of the Downs (1940) and The Border Line (1940). I will be reading them next week in Rome. The Wrong Verdict is quite cleverly laid out, although we find out at the end that it was the 'butler' (in this instance, the valet) that done it. The story included an English sailor masquerading as a Chinese magician, Lian Foo who is set on revenge against the son of a judge who wrongly convicted him of a previous murder. There is romance, double dealing and painstaking detective work. Ideal for a sun lounger on a Greek island.

Herman Landon was a Swedish-born American writer, best remembered for his pulp fiction and novels about a reformed arch-criminal 'The Grey Phantom'. The Silver Chest is the rather far-fetched story of Sidney Caravel, an artist and man-about-town, who summons his enemies to his studio and tells them that he expects to die at the hands of one of them. In the room is a great silver chest, and later in the evening - after fleeing from a knock on his apartment door - he is found dead there. 'The Blue Devil', a diamond of ill-repute, plays a sinister part in the tale. Caravel saw himself as a latter-day Casanova, his hero and idol, and certainly expected death. It is Lieutenant Joseph Delmar's job to work out which of the sinister characters is the murderer - Gabrielle Norton (long and slim-bodied, with lines that suggested the grace of a sleeping young panther); Maida Manning (brown-haired, brown-eyed and barely nineteen); Bob Severn (his eyes were grey and straight-gazing, and his abundant brassy hair would never stay combed); 35 year-old Burton Marlow (long and lank, with pale, somnolent eyes and yellowish hair that looked as if it had been put out in the sun to bleach); or Fabian (he had an urbane manner and a genial smile, and his eyes gleamed pleasantly through his brightly polished lenses). Delmar listens to the rather shaky stories of all the above and, helped by his side-kick Babe Mallers (a round pumpkin of a face, a soft and sluggish body), he works out the importance of the skylight immediately above the chest, sorts through the lies, the red-herrings, the motives and the secrets of an island, to pounce on the murderer at the end. A little bit better than mere 'pulp'. Whether one goes as far as the Birmingham Post's comment that the story was an enthralling murder mystery by a master craftsman, is another matter.

Winifred Duke (1890-1962) was the daughter of an Anglican clergyman. She lived in Edinburgh and later in Colinton, Midlothian. She worked as a editor, notably for a series on English criminal law called Notable British Trials, which led her to write several books on famous trials. She also wrote books on Scottish history, including two on the 1745 Rebellion. The Murder of Mr. Mallabee is set in the rather seedy fictitious town of Salchester - in the main it consists of rows and rows of little brick-built houses, as drab as the lives spent in them, and rows of cheap shops. One of these is the greengrocer's establishment of J. Lockton, who was fifty-six, small, apologetic, down-trodden, inoffensive. In comparison, his wife was five years his senior, large-bosomed, highly-coloured, opinionated, aggressive. Any leisure Mr. Lockton possessed was spent round the corner at Mr. Mallabee's, who owned a flourishing chemist's shop. The latter is found dead one morning, at the bottom of a flight of stairs leading to his cellar. The last person to see him alive was, apparently, Lockton. The well-told story dwells not only on Inspector Lorrimer's attempts to track down the murderer, but on the changing relationship between the Locktons and the increasingly pernicious involvement of Bob Hudson, Mallabee's young assistant. Eerie fogs play their part, not only on the night of Mallabee's demise, but as a background to another seeming murder - of the kindly Nurse Rathbone. Arsenic also plays its part in the unveiling of the mystery. This time, I agreed with a contemporary newspaper - The Sunday Times - when it wrote Told with the utmost skill.





Numbers 4 and 6 were written by Herman Landon. I tracked down a long review online about The Back Seat Murder, first published in 1931. The reviewer has some pretty damning comments to make. Landon  was unquestionably a second-string mystery writer and The Back Seat Murder reads like a cheap dime novel. There are a number of shady and sinister personalities moving in and out of the story...they're all unconvincingly drawn, paper thin stock characters, who are annoyingly secretive about their motivations and act only in service of the plot... He does admit there's a good, undeveloped pulp-style short impossible crime story buried in the book... the impossible situations in the locked car were original and genuinely baffling, which were actually played to good effect, but Landon simply was not good enough to fully deliver on them. So you'll end up with a mixed, poorly written bag of tricks. Harsh, but much truth to it. Very different from the dust wrapper's flyleaf: Herman Landon has never written a more engrossing, a more puzzling, or a more diabolical mystery tale !

Haunting Fingers is better. Detective Joseph Delmar is back, trying to find out which of the eight suspects is the murderer of Duncan Forbes. After a convoluted process, it turns out to be the most likely one, who employs a ventriloquist's skill to be in two places at once. Delmar's large deputy, Babe Mallers, provides useful ideas (usually inadvertently) grinning in his usual fatuous way. I thought it was the best of the three of the Landon stories, with more realistic characters and a coherent plot.
As for George Goodchild (1888-and C.E. Bechhofer Roberts' The Jury Disagree, it more or less held my attention. The structure inevitably led to repetition and the best bit was the 'twist' at the end, which I hadn't seen coming.

 

The two men also co-authored No. 7 in the series - The Dear Old Gentleman - which was one of the best of the bunch. Goodchild also wrote under the pseudonyms of Alan Dare, Wallace Q. Reid and Jesse Templeton and he had over 200 works published during his lifetime and posthumously. He also directed several movies during the 1920s and 1930s. Needless to say, I had never heard of any of them! Bechhofer Roberts (1894-1949) was a British author, journalist and barrister. He produced works on travel, short stories, non-fiction, anthologies collections, films and novels. He was private secretary to Lord Birkenhead (1924-1930). He died in a car accident. This novel holds one's attention throughout. It opens with the trial of Margaret Sampson for the murder of Bessie McIntosh; the former was a previous and the latter the present live-in servant of Angus Aitkin (the "dear old gentleman" of the title). Many thought Aitkin himself should be in the dock for the murder. Sampson gets off, but is later murdered! The characters were all well-drawn and there is quite an ingenious twist at the end. It possibly takes first place amongst the eight novels I read.

Finally, there is Louis Tracy's By Force of Circumstance. Tracy was a British journalist and a prolific writer of fiction. He also wrote under the names Gordon Holmes and Robert Fraser. His fiction included mystery, adventure and romance. I liked the 'lightness' of the story; the occasional shafts of humour (it commences: "I hope you will like the wine, sir. It is the best I could get from the 'Bush." "Good wine needs no bush, Jenkins."); the romantic element; the very 'period' feel to everything. I also liked the setting, the area around Burnham-on-Sea and Bridgewater, in Somerset. The character studies were more important than any detection, as the 'baddie' was revealed very early on. 

I will take the other four paperbacks to Rome next week. It is interesting that the jackdaw pictured on the front cover for these changed from a thoughtful bird into one seemingly showing off for the artist!

...and, finally!...

First published in 2021 by Hodder & Stoughton
This paperback published in 2022

The book features an Inspector Banks who, according to the list opposite the title page, has already starred in 26 previous novels. The covers has the inevitable Number One Bestselling Author and I recall seeing him prominently displays at airports, railways stations and booksellers tables. Does he and his Inspector deserve this accolade? The double murder at the start is described in grizzly details; the Moldovan (Moldavian?) Zelda represents a timely nod to a country most of us had only heard of thanks to the barbarian Putin. The interplay between Banks, his colleagues, friends and enemies is quite well done. Not enough, though, to get me reaching for the other twenty-six.  I hope it is not too damning to say it is ideal for the sun lounger and the airport waits.

Wednesday 11 May 2022

Tim Sebastian's three Cold War Spy Thrillers

 

I often wander in to Oxfam and The Works in Derby and usually come out with yet more material for my ever-expanding  'library'. The latter has a '3 for £5' sticker on many of its paperbacks, which acts as a fly sticky trap for me. On my last visit, I bought three Tim Sebastian Spy novels and have just finished the last one - it made a change from early nineteenth-century Scottish novels. The blurbs of the backs were slightly different from each other: A taut Cold War thriller...perfect for fans of John le Carré and Frederick Forsyth; An espionage thriller packed with intrigue and suspense, perfect for fans of Alistair MacLean and Len Deighton; A tense espionage thriller with a terrifying  dose of reality, ideal for readers of John le Carré and Eric Ambler. Well, I have read several Frederick Forsyth and Alistair MacLean thrillers and was weaned on those of Helen MacInnes (see earlier Blogs) and much prefer spy thrillers to detective stories (and I loathe SciFi !). Did Sebastian's work measure up to the adulation?

1988                                  1990                                        1991

Tim Sebastian is a former BBC correspondent (and spy?!) in Moscow, Washington and Warsaw. Now 70, he has had over 40 years' experience of international affairs - both official and 'unofficial'. He began his journalism career at Reuters in 1974, and moved to the BBC in 1979 as foreign correspondent in Warsaw. He became the corporation's Europe correspondent in 1982, for Moscow in 1984 (until his expulsion from the USSR in 1985) and then for Washington between 1986 and 1989. He speaks Russian and German. He, therefore, 'knows his onions'.

Between 1974 and 1989, the USSR had four leaders or General Secretaries - Brezhnev (to 1982); Andropov (1982-1984); Chernenko (1984-1985) and Gorbachev (1985-1991). The latter survived what became known as the August coup in 1991, but essentially ceded power to Boris Yeltsin and resigned not long after. Hence, Sebastian was at the forefront of the existential power struggle going on in Russia and its satellites during those years. The stories are very much of their time - rather like MacInnes and the 1950s-1980s - (or 'were' - since the back-street thug and KGB criminal, Vladimir Putin, established his grip on power, the atmosphere described is horribly relevant. When he first levered his way to the top, he was comparatively young, like Gorbachev, but, at 70, he appears to be an old, sick man in a hurry).

The Spy in Question tells the story of Dmitry Kalyagin, who has just gained a seat in the powerful Politburo. It is a triumph for both himself and the British secret service - he has been a 'mole' for them for two decades. Unfortunately, it is increasingly obvious that his cover is likely to be blown. There is another 'mole', high up in the British Embassy in Moscow. The twists and turns that lead to the denouement on the steps of the latter ensure the story is not only redolent of the period, but told in an increasingly spell-bindingly way. I think it tips the other two novels to first place.

Spy Shadow details a increasingly lone, and lonely, attempt by an ageing English spy, soft of body but sharp of mind, James Tristram, to disentangle the motives behind his being detailed to Poland (Warsaw) to aid an uprising against the Polish government. He realises that the real plot is led by Russian hardliners, aiming to discredit the Gorbachev regime back in Moscow. Worse, it is obvious there is a long-placed 'mole' in the British secret service. It ends in Geneva, where the 'mole' gets his just deserts. But everything has been so 'seedy' and demoralising, even for this reader! (knowing what has occurred since 1999).

Saviour's Gate brings a little more romance, but the usual treachery and double-dealing, to a rather convoluted plot. This involves not only the Russians and British, but the Americans as well. One feels no one can be trusted. Published in the same year as Gorbachev's real-life troubles and eventual demise, it again hits the mark when describing the febrile atmosphere both inside and around the Kremlin. I sometimes lost track as to who was doing what to whom, and it occasionally became a little too convoluted, but the characters were quite well drawn and believable.. Three sentences summed up the self-serving at the heart of the USSR regime: Once they became sure the General Secretary was on his way out, they'd be the first to turn on him, to stab him in the chest. It was simply the Soviet way. None of them would give it a second thought. Perhaps Gorbachev should have invested in an ultra-long table, like Putin's.

My 17 months of Early 19thc Scottish fiction

 
Since January 2021, I have read 64 Scottish novels published between 1808 and 1836, a majority in two or three volumes. 
All are first editions, many purchased at some cost to my pocket, apart from the two underlined
I have thoroughly enjoyed reading most of them, with only one or two slipping below a 
level of competence and interest. They are listed below, by author, date and publisher.

There are 22 by Sir Walter Scott (the various 'Tales' consist of more than one novel); 13 by John Galt; 3 each by Mary Brunton, Susan Ferrier, Grace Kennedy, J.G. Lockhart and John Wilson; 2 by Eliza Logan, Michael Scott and Amelia Gillespie Smyth; and 1 each by David Carey, G.R. Gleig, Elizabeth Hamilton, Thomas Hamilton, 'Christopher Keelivine', Thomas Dick Lauder, David Macbeth Moir, and Robert Trotter.


John Galt
1821  Annals of the Parish (William Blackwood)  :  1821  The Ayrshire Legatees (William Blackwood) 1822  Sir Andrew Wylie of that Ilk (William Blackwood) 3 vols.  : 1822  The Provost (William Blackwood)  :  1822   The Gathering in the West (William Blackwood)  :  1822  The Entail or The Lairds of Grippy (William Blackwood)  : Ringan Gilhaize or The Covenanters (Oliver & Boyd) 3 vols. : 1823  The Spaewife (Oliver & Boyd) 3 vols.  :  1824  Rothelan (Oliver & Boyd) 3 vols.  :  1826  The Last of the Lairds (William Blackwood)  :  1832  The Member (James Fraser)  :  1832  The Radical (James Fraser). 

Mary Brunton
1811  Self-Control (Colburn & Bentley, 1832 edition)  :  1814  Discipline (Manners & Miller) 3 vols.  :  1819  Emmeline and some other pieces (Archibald Constable)

Susan Ferrier
1818  Marriage: A Novel (William Blackwood) 3 vols.  :  1824  The Inheritance (William Blackwood) 3 vols.  :  1831  Destiny: or, the Chief's Daughter (Robert Cadell) 3 vols.

Grace Kennedy
1823  Father Clement (William Oliphant)  :  1825  Dunallan (William Oliphant) 3 vols.  :  1825  Philip Colville (William Oliphant).

J.G. Lockhart
1822  Mr Adam Blair Minister of the Gospel (Cadell)  :  1823  Reginald Dalton  (William Blackwood) 3 vols.  :  1824  The History of Matthew Wald (William Blackwood).

John Wilson
1822  Lights and Shadows of Scottish Life (William Blackwood, 1823 3rd edition)  :  1823  The Trials of Margaret Lyndsay (William Blackwood)  :  1825  The Foresters (William Blackwood).

Eliza Logan
1823  St Johnstoun or John, Earl of Gowrie (Maclachlan and Stewart) 3 vols.  :  1829  Restalrig; or The Forfeiture (Maclachlan and Stewart) 2 vols.

Michael Scott
1833  Tom Cringle's Log (William Blackwood) 2 vols.  :  1836  The Cruise of the Midge (William Blackwood) 2 vols.

Amelia Gillespie Smyth
1828  Tales of the Moors or Rainy Days in Ross-shire (William Blackwood)  :  1832  Probation and Other Talks (Adam Black).
 
David Carey  1821  A Legend of Argyle (G & W B Whittaker) 3 vols.
G.R. Gleig  1830  The Country Curate (Colburn and Bentley) 2 vols.
Elizabeth Hamilton   1808  The Cottagers of Glenburnie (Manners & Miller)
Thomas Hamilton  1827  The Youth and Manhood of Cyril Thornton (William Blackwood) 3 vols.
'Christopher Keelivine'  1824  Tales and Sketches of the West of Scotland (Robinson and Atkinson)
Thomas Dick Lauder  Lochandhu: A Tale of the 18th century (Archibald Constable) 3 vols. 
David Macbeth Moir  The Life of Mansie Wauch (Cadell & Blackwood)
Robert Trotter  1825  Derwentwater (John Anderson, Jun.)

I have Blogged on each of the above, so don't need to comment further - apart to say that Walter Scott at his best is very hard to beat.
I have subsequently bought a few more contemporary novels, but don't intend to read them until late next year. They are listed below, in chronological order.

1810  Jane Porter - The Scottish Chiefs (George Virtue, 1840 revised edition) 2 vols.
1812  Hector Macneill - The Scottish Adventurers (1st USA edition)
1814  Walter Scott - Waverley (Archibald Constable, 1814 3rd edition) 3 vols.
1818  James Hogg - The Brownie of Bodsbeck (Dick & Fitzgerald c.1862 USA edition)
1819  Alexander Balfour - Campbell; or, The Scottish Probationer (Oliver & Boyd) 3 vols.
1821  J.G. Lockhart - Valerius (William Blackwood) 3 vols.