The Crime-Book Society No. 2
I must admit I thought Edgar Wallace was an American. In fact, Richard Horatio Edgar Wallace (1875-1932) was as English as they come, being born in Greenwich into poverty. Leaving school aged 12, he joined the Army at 21 and served as a war correspondent for Reuters and the Daily Mail during the Boer War in South Africa. Returning to London, heavily in debt, he began writing thrillers to raise income, publishing books such as The Four Just Men (1905). He serialised short stories in magazines and, in 1921, he signed with Hodder & Stoughton and soon became an internationally recognised author. Failing to get elected as one of Lloyd George's Independent Liberals in 1931, he sailed for America, still heavily indebted - usually to racing and Hollywood. He worked as a scriptwriter for RKO. He died suddenly from undiagnosed diabetes, during the initial drafting of King Kong in 1932. Wallace wrote 18 stage plays, 957 short stories and over 170 novels, 12 in 1929 alone. More than 160 films have been made of his work. He was, apparently, the first British crime novelist to use policemen as his protagonists, rather than amateur sleuths as most other writers of the time did.
On the Spot was one of Wallace's last novels and originated from a play written in 1930 (dictated in just four days!). It was his greatest theatrical success and was inspired by a visit to the USA and, in particular, by the Saint Valentine's Massacre of 1929 in Chicago. The play launched the career of Charles Laughton, who played the lead Al Capone character, Tony Perelli. It lasted for 342 performances on its original West End run. It transferred to America in October 1930 and ran for 167 performances in New York.
If I am honest, it is not really my kind of novel, which came out in 1931. I am not keen on gangster stories or on those set in America, especially places like 1930s Chicago. The first paragraph typifies the tone of the book: Tony Perelli was not yellow, either by his own code or judges by standards more exacting. It was yellow to squeal to futile police, but not yellow to squeal to one's own crowd, and squeal loudly, about injustices suffered. It was yellow to betray a pal, but not yellow if the pal had not acted square or if he himself was yellow; even then it was yellow to tip off the police about his delinquencies. The honourable thing was to take him to some lone place and "give him the works". And this is what happens to "Red" Gallway, a safe-breaker, con man, hold-up man and keeper of questionable establishments. He makes suggestive remarks to Min Lee, Perelli's Chinese 'squeeze'; he argues with Perelli; he talks to the police Chief Kelly; three big mistakes. He gets shot on Perelli's orders. Vinsetti is another, more important gangster, who crosses Perelli, but he is sharper than Gallway he saw the red light and became cold and cautious and watchful.
Perelli had an espionage system which was well-nigh perfect. He had clerks in the banks who furnished him with particulars about his own people. He knew to a cent their balances, would be instantly informed about the transfer of money or stock to another country...Thus, he knew if any member of his coterie was intending to cut and run. Another rum cove to be put 'on the spot' is Con O'Hara, a noisy man, something of a brute, a boaster with a striking wife, who Perelli wants to usurp Min Lee. It's no surprise when Perelli himself kills O'Hara in his drawing room. As the latter drops to the floor, all Perelli can say is, "Don't soil my carpet, you bastard". It's surely poetic justice that Perelli dies, shot by his own factotum, Angelo. As Chief Kelly says, in the last three lines in the book: "The law got you, Perelli. Not my law, but your own law. And that's the way of it."
The real Capone died in his bed in Florida, surrounded by his family, of heart failure due to apoplexy.