Tuesday, 16 September 2025

R.D. Blackmore's 'Tales from the Telling House' 1896

 

Sampson Low, Marston & Co first edition - 1896

The book contains four longish short stories. As one Reviewer has remarked, the least successful tale would have attracted the most readers because of its title, which the author disliked. Slain by the Doones merely recounted and episode referred to by John Ridd in passing - the murder of  the 'Squire'  in Bagworthy Forest.  The American first edition was published a year earlier, in 1895 by Dodd, Mead & Co., and was entitled Slain by the Doones and Other Stories. This first story is set in the mid 17th century. The narrator's father, Sylvester Ford of Quantock in Somerset, fought for Prince Rupert in the Civil War and then being disgusted with England as well as banished from her, and despoiled of all his property, took service on the Continent, and wandered there for many years, until the replacement of the throne. However, on returning to England he had no restitution of his estates, so took refuge in an outlandish place, a house and small property in the heart of Exmoor. His narrator daughter, Sylvia, turns eighteen and tells of a young man, living nearby, who becomes acquainted with her father and herself: handsome and beautiful he was, so that bold maids longed to kiss him, it was the sadness in his eyes, and the gentle sense of doom therein, together with a laughing scorn of it, that made him come home to our nature... But Sylvia's father orders that no more converse be had with that son of Baron de Wichelhalse, as this Marwood rideth with the Doones. Living but six miles away from the Robbers' Valley, her father was wise to be careful.

Squire Ford sets off on one of his regular fishing trips, but Sylvia is told that he was then set upon by three of the Doones and murdered where the Oare and Badgery streams ran into one another for fishing in their river. Into the young girl's life comes Bob Pring, son of Deborah Pring the Ford's only domestic. who was as fine a young trooper as ever drew sword... and who had a fine head of curly hair, and spoke with a firm conviction that there was much inside it. His commanding officer, one Captain Anthony Purvis, is brought, wounded with three broken ribs, to Sylvia's house for treatment. He falls in love with Sylvia and she receives through the good offices of Mistress Pring a proposal of marriage. She feels that must have been sadly confused by that blow on his heart to think mine so tender, so she refuses and he leaves. The final chapter sees the Doones force their entry into Sylvia's house, kill old Thomas Pring, and the infamous Carver Doone decide to take her away: she is worthy to be the mother of many a fine Doone...why even Lorna hath not such eyes. Sylvia is slung on the back of a horse  to be taken to Doone Glen to be some cut-throat's light-of-love. Reaching a bridge a vast man stood...wearing a farmer's hat, and raising a staff like the stem of a young oak tree. He dispatches Charlie Doone, then Carver himself; and in the nick of time, Captain Purvis is there to rescue Lorna. Who was that other man? Yes, that was the mighty man of Exmoor...John Ridd; the Doones are mighty afraid of him since he cast their culverin through their door. And equally brave Captain Purvis gets his girl.


The following two stories - Frida; or, The Lover's Leap and George Bowring - both have tragic denouements, perhaps unusual for the author. The first was based on a legend of the Wichalse family at Lynton during the Civil War of the mid 17th century. In the tale, Aubyn de Wichehalse, after years desiring a son, was presented with a somewhat undersized, and unhappily female child - one, moreover, whose presence cost him that of his faithful and loving wife. He gradually warms to his daughter Jennyfried (or 'Frida') and she reaches seventeen years. Her 25-year-old cousin, Albert de Wichehalse, also warms to her, and Hugh is keen that the two youngsters marry.

However, along comes an old fogy neighbour, Sir Maunder Meddleby, one of the first of a newly invented order, who persuades Hugh that he should send his daughter to Court - her wanteth the vinish of the coort. She goes to London and meets a young Lord Auberley. It is now 1642 and the Civil War has broken out and Auberley is sent West to persuade Hugh to join the King's cause and to persuade Frida of his own cause. He is winning the latter battle at least, when she commands him to return to the King (the Battle of Edgehill has been indecisive). He meets her for one final time at her favourite spot - at the end of this walk there lurked a soft and silent bower, made by Nature, and with all of Nature's art secluded...a little cove...here the maid was well accustomed every day to sit and think, gazing down at the calm, gray sea... Auberley successfully woos her and they pledge their troths. He goes off to Oxford but, naughty man, marries her Highness, the Duchess of B--- in France. Filthy lucre and position is the catch. Frida, distressed, walks to the same lonely spot - with one sheer fall of a hundred fathoms the stern cliff meets the baffled sea; her dog Lear, her closest companion,  has followed her. Frida leaps to her death; Lear gave one long re-echoed howl, then tossed his mane, like a tawny wave, and followed down the death-leap. There follows a brief ending. Aubyn de Wichehalse joins Parliament and, at the Battle of Lansdown, north of Bath, brings Viscount Auberley to bay and with his Gueldres ax cleft his curly head, and split what little brain it takes to fool a trusting maiden.

George Bowring. A Tale of Cader Idris, highlights a Welsh folk-belief in the power of a gold watch to delay the hour of death. A peasant girl's father murders a man to get his watch, and the criminal remains unpunished until the very end of the story. The narrator, Robert Bistre, recalls the original incident some forty years later. He accompanies his old school friend from Shrewsbury on a trip to west Wales, he to draw pictures, George to fish. Although the tale is a tragic one, there are regular bursts of humour. George's father seems to have been at some time knighted for finding a manuscript of great value that went in the end to the paper mills; ...a knight he lived, and a knight he died; and his widow found it such a comfort! George, by the time of the trip (it is 1832), is married with three young children. The two men find lodgings at the little village of Aber-Aydyr, by the river Aydyr. After some days fishing, George wants to move up into wilder and rockier districts, where the water ran deeper...a savage place, deserted by all except evil spirits... They split up and George, after a long search is found drowned in a deep black hole of the river. Local miners help to carry his body to the nearest house, where they are refused entrance by the owner, 'Black' Hopkin ap Howel. My little daughter is very ill, the last of seven. You must go elsewhere. Robert has already noticed that George's watch was missing. The subsequent coroner's jury found George had died of "asphyxia, caused by too long immersion in the water". Robert is convinced it was murder. He becomes an 'uncle' to the three children and they grow up to be splendid "members of society".

Bob Bistre Bowring, the eldest, is his apprentice and, when he was 25-years-old, asks his 'uncle' if they can return to where his father died. Once there, he makes his way to the very spot his father was last seen. He went on alone with exactly his father's step, and glance, figure, face and stature. Even his dress was of the silver-gray which his father had been so fond of...a loud shriek rang through the rocky ravine, and up the dark folds of the mountain...I saw young Bowring leap uop...at his feet lay the body of a man struck dead, flung on its back, with great hands spread on the eyes, and white hair over them. No need to ask what it meant. At last the justice of God was manifest. The murderer lay, a rigid corpse, before the son of the murdered. It was Hopkin ap Howel.

The final story, Crocker's Hole, recreates a situation from Blackmore's own childhood - the catching of a mighty trout in the river Culm. I liked the following sentence: In the Devonshire valleys it is sweet to see how a spring becomes a rill, and a rill runs into a brook; and before the first tree it ever spoke to is a dummy, or the first hill it ever ran down has turned blue, here we have all the airs and graces, demands and assertions of a full-grown river. and another - the description of the famous trout: his head was truly small, his shoulders vast; the spring of his back was like a rainbow when the sun is southing; the generous sweep of his deep elastic belly, nobly pulped out with rich nurture, showed what the power of his brain must be, and seemed to undulate, time for time, with the vibrant vigilance of his large wise eyes. 
 
Blackmore said that "the stories were written at different times during the last thirty years; but collected and revised recently."

A Footnote: Blackmore wrote an inscription on the first flyleaf of a copy of Tales from the Telling House: ...this contains the preface, and has the proper title. Through some strange neglect, the title, and the little preface, have not yet appeared in the U.S.A., and the clumsy name Slain by the Doones - never liked by the author - seems to be the only one in vogue there.

Friday, 12 September 2025

R.D. Blackmore's 'The Maid of Sker' 1872

 

William Blackwood first edition - 1872

At last, a return to a triple-decker! It's great when you reach page 325 and realise there are two more volumes to go. Not everyone's cup of tea, but for me it is tea and cake. The Maid of Sker was regarded by Blackmore himself as his best novel. Most commentators would probably plump for the well-known Lorna Doone, but the most famous is not necessarily the best work of an author, vide. John Buchan's The Thirty-Nine Steps. Blackmore's novel was first serialised in Blackwood's Magazine from August 1871 to July 1872, before being published in book form. The author's boyhood visits to Newton Nottage in Glamorganshire gave him both the geographical background and knowledge of an ancient legend, told in ballad form. The latter Maid of Sker bears little resemblance to the plot of the novel, but the gloomy Sker House, just west of Portcawl, is one of the central images for Blackmore.

The nominal heroine, the lost little girl Bardie, is drawn from the author's own precocious niece, whom he called by that name. She was only three years old and Blackmore transcribed her baby talk (much to my increasing irritation!). The villain of the tale, the demonic Parson Stoyle Chowne, was drawn from the Rev. John Froude, well-known in Devon as a "shocking fellow", according to Blackmore's father, "a disgrace to the Church". Chawne's muscular companion, the Rev. Jack Rambone, a boxer and wrestler, was modelled on the Rev. Jack Radford, a sporting parson who went with a scissor-grinding truck all over Wales and Cornwall, challenging all comers to fist or fore-hip.



The story is narrated by Davy Llewellyn, a late middle-aged fisherman, who rescues little Bardie from a small boat, which has drifted onto a beach in Glamorganshire, just before a raging storm. Davy parts with the girl but not the boat - the former being lodged at Sker House, the latter being tarted up for his own use. It is clear from the infant's deportment and quality of clothes that she is the offspring of a well-to-do family. Here lies one of the weaknesses of the plot - the child has to grow up to become marketable! Some 16 years have to be got through. Blackmore does this by first leaving Bardie with the Sker Household, then employing a tutor, but otherwise going off to Devon to continue his fishing trade and then re-joining the Navy. Being couched in the first person narrative, the tale becomes more one of Davy's exploits and less of Bardie's growing up. At least one Reviewer suggested a different title - Davy Llewellyn - would have been more apposite.

Davy is certainly the propelling force - a selfish old rascal who boasts his way through the narrative. He has a veritable halo of self-interest which is, however, relieved by a romantic generosity for others.  In the very first sentence of Volume I, Davy sets out his stall, with all the pathos he can muster: I am but an ancient fisherman upon the coast of Glamorgan, with work enough of my own to do, and trouble enough of my own to heed, in getting my poor living, yet he has enough time and literary capability to embark on a three volume narrative!. He moans that the work of writing must be very dull to me, after all the change of scene, and the noble fights with Frenchmen, and the power of oaths that made me jump so in his Majesty's navy. Notwithstanding this, he girds his literary loins and ploughs on, being on the whole, pretty well satisfied with myself... 

On a fishing trip for congers, lobsters, mullet and spider-crabs, he lands an unexpected fish - a smoothly-gliding boat...a finer floatage I never saw, and her lines were purely elegant, and she rode above the water without so much as parting it...the little craft was laden with a freight of pure innocence...a little helpless child...all in white, having neither cloak nor shawl...but lying with her little back upon the aftmost planking. And thus Bardie enters his life; he deposits her with Moxy Thomas (an old girlfriend, but now married to 'black' Evan, a morbid drunk, with dark face, overhung with hair)) at Sker-house - a very sad and lonesome place, close to a desolate waste of sand, and the continual roaring of the sea upon black rocks. A great grey house, with many chimneys, many gables, and many windows, yet not a neighbour to look out on, not a tree to feed its chimneys, scarce a firelight in its gables in the very depth of winter. Of course, it is said to be haunted... Tragedy soon occurs - five of the six sons of Evan and Moxy - aged from 15 to 22 - are buried in a sand drift during a violent storm. The chapter Sand-Hills turned to Sand-Holes contain some of the author's most atmospheric writing. The sky was spread and traversed with a net of crossing fires, in and out like mesh and needle...some were yellow, some deep red, and some like banks of violet...

It is as a result of this same horrendous storm, that a slave-ship is wrecked and its cargo of Africans  drowned. The description that follows would give heart attacks to 21st century reviewers. The negroes, crouching in the scuppers, or clinging to the masts and rails, or rolling over one another in their want of pluck and skill, seemed to shed their blackness on the snowy spray and curdled foam, like cuttle-fish in a lump of froth. Poor things! they are grieved to die as much, perhaps, as any white man; and my heart was overcome, in spite of all I knew of them...now I hope no man who knows me would ever take me for such a fool as to dream for a moment - after all I have seen of them - that a negro is "our own flesh and blood, and a brother immortal", as the parsons began to prate, under some dark infection. They differ from us a great deal more than an ass does from a horse. Blackmore (surely ironic that he had such a surname) even uses the now forbidden word n-----r more than once. The tale is 152 years old, but this hardly excuses such sentiments.

The novel is peppered with a goodly array of minor characters: Colonel Lougher of Candleston Court, one of the finest and noblest men it was ever my luck to come across and who takes part with his widowed sister Lady Bluett, in helping to bring up Bardie in a manner to which her obvious gentility demands. It is his nephew, the Hon. Rodney Bluett who, desperate to join the Navy (and helped every so often in his subsequent illustrious career by Davy), later becomes besotted by the teenage Bardie and eventually marries her. Davy, meanwhile, finding his fishing scarcely bringing in enough to live on, departs in a fishing vessel for Devon (the author's own spiritual home). One thing I will say of these sons of Devon: rough they may be, and short of grain, and fond of their own opinions...queer, moreover, in thought and word, and obstinate as hedgehogs - yet they show, and truly have, a kind desire to feed one well.

Devon provides the other main skein to the tale.  Here Davy meets the bĂȘte noire of the novel, Parson Chowne: it was the most wondrous unfathomable face that ever fellow-man fixed gaze upon; lost to mankindliness, lost to mercy, lost to all memory of God...disdain was the first thing it gave one to think of; and after that, cold relentless humour; and after that, anything dark and bad. It is Chowne who is responsible for the loss of two babes from the family the (one of whom one realises immediately must be Bardie), the other, a boy, finally  emerges - naked - (nicknamed Harry Savage by Davy and others) from a gipsy-looking tribe on Chowne's estate. Davy also links up with Sir Philip Bampfylde, his second son in the Navy, Captain Drake Bampfylde and the latter's long-time girlfriend, wealthy heiress Isabel Carey. Machinations amongst all these Devonians lead to Davy rejoining the British Navy, voyaging to the West Indies, fighting under Nelson (the author's undoubted hero) and the Battle of the Nile/Aboukir Bay (another marvellous descriptive chapter, Nelson and the Nile, and for which success Davy gives himself some credit) and finally returning to Glamorgan, secure in the knowledge that more people now think as highly of him as he does himself. Drake gets his Isabel, Rodney his Bardie, and Watkin Thomas, the only surviving boy from Sker House, gets Bunny, Davy's grand-daughter.

David Llewelyn's boasting:

Now I have by nature the very strongest affection for truth...but sometimes it happens so that we must do violence to ourselves for the sake of our fellow-creatures.
It is an irksome task for a man who has always stood upon his position, and justified the universal esteem and respect of the neighbourhood...
...you may go miles and miles, I am sure, to find a more thoroughly honorable, good-hearted, brave, and agreeable man.
The very next day, I was afloat as a seaman of the Royal Navy of the United Kingdom...the King and the nation won the entire benefit of this.
It may be the power of honesty, or it may be the strength of character coupled with a more than usual brightness of sagacity - but whatever the cause may be, the result seems always to be the same, in spite of inborn humility - to wit, that poor old Davy Llewellyn, wherever his ups and downs may throw him, always has to take the lead!

Other humorous asides:

Joe Jenkins was a young fellow of great zeal, newly appointed to Zoar Chapel, instead of the steady Nathanial Edwards, who had been caught sheep-stealing...all the maids of Newton ran mightily to his doctrine. For he happened to be a smart young fellow, and it was largely put abroad than an uncle of his had a butter-shop, without any children, and bringing in four pounds a-week at Chepstow.

Such sentiments are to be found, I believe, in the weaker parts of the Bible, such as are called the New Testament, which nobody can compare to the works of my ancestor, King David; and, which, if you put aside Saint Paul, and Saint Peter (who cut the man's ear off) exhibit to my mind nobody of a patriotic spirit.

(About the Chaplain on board during the Battle of the Nile) "Go down, parson, go down", we said, "Sir, this is no place for your cloth". - "Sneaking schismatics may skulk", he answered, with a powder-mop in his hand, for we had impressed a Methody, who bolted below at exceeding long range, "but if my cloth is out of its placer, I'll fight the devil naked."

Description of the weather:

[September] the sky is bright and fair, with a firm and tranquil blue, not so deep of tint or gentle as the blue of springtide, but more truly staid and placid, and far more trustworthy. The sun, both when he rises over the rounded hills behind the cliffs, and when he sinks into the level of the width of waters, shines with ripe and quiet lustre, to complete a year of labour....at dusk the dew fog wavers in white stripes over the meadowland, or in winding combes benighted pillows down, and leaves its impress a sparking path for the sun's return.

Islam:
There is a most utterly pestilent race arising, and growing up around us, whose object is to destroy old England, by forbidding a man to drink. St Paul speaks against them, and all the great prophets...and although I never read the Koran, and only have heard some verses of it, I know enough to say positively, that Mahomet began this movement to establish Antichrist.

Description of landscape, regular bouts of humour, real flesh and blood characters - although Davy himself is a well-nigh impossible creation - all help to create an enjoyable tale.

The Nineteenth Century Three-Volume Novel

Palgrave Macmillan first edition - 2020

Browsing my bookshelves, as is my abiding pleasure, I picked out Troy Bassett's excellent and exhaustive analysis of the dominating effect the [in]famous three volume novel - often referred to as the three-decker - had on nineteenth century publishing.  As Troy remarks in his Introduction, nearly every canonical author of the period appeared in the ubiquitous format of three octavo volumes priced at one-an-a-half guineas, including first editions of Charlotte BrontĂ«, Charles Dickens, George Eliot, Thomas Hardy, William Makepeace Thackeray and Anthony Trollope. To collect any of these authors in first editions is way beyond my pocket, but I have amassed quite a selection of less well-known and (luckily) much 'cheaper' authors. Back on the 27th March 2020, I published an early Blog on my collection; over five years later, this has grown considerably. As much for my own sake as anyone else's, I have attached the updated list below. The twenty works of Sir Walter Scott I have not included, although I have all his novels in first edition, bar Waverley, which is merely a third edition, albeit published in 1814 - the same year as the first. Many of them form the backbone of my Scottish Novels 1808-1850 Collection, with John Galt, J.G. Lockhart, Mary Brunton and Susan Ferrier figuring amongst them. I have also collected 17 novels of G.P.R. James and four of R.D. Blackmore - I am actively hunting down yet more of both authors. Over the past five years ('Lockdown' did have its positive side), I have read nearly all of the novels laid out below. By next Spring, I shall have finished off the remaining Scottish books. 


NINETEENTH CENTURY TWO AND THREE VOLUME NOVELS

(Excluding Sir Walter Scott’s 20 novels)

 1810      Jane Porter                                       The Scottish Chiefs   [5 volumes]

1811      Mary Brunton                                   Self-Control

1812      Hector Macneill                               The Scottish Adventurers

1814      Mary Brunton                                  Discipline

1817      Jane Porter                                       The Pastor’s Fire-side

1818      Susan Ferrier                                    Marriage            

1818      James Hogg                                      The Brownie of Bodsbeck

1819      Alexander Balfour                          Campbell; or The Scottish Probationers

1821      David Carey                                     A Legend of Argyle

1821      John Gibson Lockhart                   Valerius

1822      [Thomas Gaspey]                           The Lollards: A Tale

1822      John Galt                                          Sir Andrew Wylie of that Ilk

1822      Allan Cunningham                         Traditional Tales

1822      John Galt                                          The Entail or The Lairds of Gippy

1823      John Galt                                          Ringan Gilhaize or The Covenanteers

1823      John Gibson Lockart                      Reginald Dalton

1823      Eliza Logan                                       St. Johnstoun; or, John, Earl Gowrie

1823      John Galt                                          The Spaewife

1824      Susan Ferrier                                    The Inheritance

1824      John Galt                                          Rothelan

1825      Grace Kennedy                               Dunallan; or Know what you Judge

1825      Thomas Dick Lauder                      Lochandhu: A Tale of the Eighteenth Century

1826      Allan Cunningham                         Paul Jones

1827      Thomas Hamilton                           The Youth and Manhood of Cyril Thornton

1828      Allan Cunningham                         Sir Michael Scott

1829      Eliza Logan                                      Restalrig; or, The Forfeiture

1830      George Robert Gleig                      The Country Curate

1831      Susan Ferrier                                   Destiny or the Chief’s Daughter

1831      Hannah Maria Jones                      The Scottish Chieftains

1832      [Edmund Duros?]                           Otterbourne; A Story of the English Marches

1832      G.P.R. James                                   Henry Masterton

1833      Michael Scott                                  Tom Cringle’s Log

1834      G.P.R. James                                   The Life and Adventures of John Marston Hall

1835      G.P.R. James                                   The Gipsy

1835      [Peter Leicester]                             Bosworth Field; or, The Fate of a Plantagenet

1836      Michael Scott                                  The Cruise of the Midge

1838      G.P.R. James                                   The Robber: A Tale

1840      G.P.R. James                                   The King's Highway  

1841      Major Michel                                   Henry of Monmouth: or the Field of Agincourt

1841      Catherine Sinclair                           Modern Flirtations

1842      [Major Michel]                                Trevor Hastings or the Battle of Tewkesbury

1843      G.P.R. James                                    Forest Days

1843      [Edward Bulwer-Lytton]               The Last of the Barons

1844      G.P.R. James                                    Arabella Stuart. A Romance from English History

1844      G.P.R. James                                    Agincourt. A Romance

1845      G.P.R. James                                    The Smuggler. A Tale

1845      John Brent                                        The Battle Cross: A Romance of the Fourteenth Century

1846      G.P.R. James                                    The Step-Mother

1847      Capt. Marryat                                  The Children of the New Forest

1847      G.P.R. James                                    Russell. A Tale of the Reign of Charles II

1848      G.P.R. James                                    Beauchamp

1848      G.P.R. James                                    Margaret Graham

1849      G.P.R. James                                    The Woodman; A Romance of the Times of Richard III

1853      Rev. R.W. Morgan                          Raymond de Monthault, The Lord Marcher

1870      Benjamin Disraeli                           Lothair

1871      Trois-Etoiles                                     The Member for Paris: A Tale of the Second Empire

1872      R.D. Blackmore                               The Maid of Sker

1874      W. H. Ainsworth                             Merry England: or, Nobles and Serfs

1875      R.D. Blackmore                               Alice Lorraine

1880      R.D. Blackmore                               Mary Anerley

1887      R.D. Blackmore                               Springhaven

1888      Mrs. Humphry Ward                     Robert Elsmere

1891      Stanley Weyman                            The New Rector

1893      Stanley Weyman                            A Gentleman of France

1894      Stanley Weyman                            Under the Red Robe