Tuesday 29 December 2020

The White Ship tragedy of 25th November 1120

Knowing I have amassed a large collection of books - both fiction and non-fiction - about King Stephen and The Anarchy, my son hit a jackpot when he gave me Charles Spencer's The White Ship for my Christmas present. Although I have toyed with buying a couple of Spencer's books previously - Prince Rupert: The Last Cavalier (2007) and Blenheim: Battle for Europe (2004) - I didn't take the plunge, as I already had several very good biographies on Rupert (a hero of mine) and Christopher Hibbert's The Marlboroughs (2001). Like Hibbert, Spencer has been called a 'popular historian'. Well, it's better than being an unpopular one!

William Collins first edition - 2020

Any reader who has studied the period will know why the Plantagenets have been called the Devil's Brood  - well promulgated by a range of Historical novelists: including Alfred Duggan (1957) and Sharon Kay Penman (2008). They were sired by the Normans and Angevins, who seem equally to have been spawned by the Devil! 

Spencer's subtitle bookends the period he is writing about: Conquest - the 1066 invasion of England by Henry I's grandfather, William I 'the Bastard'; and Anarchy - the nineteen years of Stephen's reign, 1135-1154, when Christ and his Saints slept. They were rarely awake between 1066 and 1154. Spencer writes fluently and makes the most of the grisly stories from the early medieval chroniclers. William the Conqueror's unfortunate end - struck hard in his stomach by the pommel of his saddle  - led to an even more grisly funeral. The coffin proving too small for his immense body, he had to be squeezed into the tomb, whereupon his guts burst open in a putrid cascade. The stench surged through the abbey, assaulting the nostrils of the congregation, causing widespread nausea... Nice. 

William I (top left); William II (top right)
Henry I (bottom left); Stephen (bottom right)

A period of conflict between his three sons followed. 

The eldest son, Robert Curthose (nicknamed for his short legs) seems to have been the Rab Butler of his time, twice failing to achieve the prize of England. Although proving a brave Crusader, he appears to have made a mess of ruling Normandy and ended up, captured by his youngest brother, imprisoned in Devizes castle for twenty years, before dying in Cardiff Castle in 1134 in his early eighties. William Rufus (red-haired or of ruddy complexion), ruled England from 1187 to 1100 according to Orderic Vitalis as a debaucher-in-chief: he gave himself up insatiably to obscene fornications and repeated adulteries. Stained with sins, he set a culpable example of shameful debauchery to his subjects. And many chose to copy his ways. In the year of Rufus' death, Abbot Fulchred of Shewsbury gave a fiery sermon, referring to the leprosy of villainy, unrestrained lust and the sickness of evil that stalked the land. Rufus' stalking (and hunting) time was over. On the following day, he somewhat mysteriously met his end (unlike King Harold) with an arrow in the New Forest.

Robert de Bellême symbolises the very worst of these times, perhaps only outclassed by his diminutive mother Mabel. After a poisonous, and poisoning, career, justice finally caught up with her. Relaxing on her bed, having just emerged from her bath, a vengeful enemy decapitated her with his sword. Robert continued in her devilish ways, becoming a byword for malevolent cruelty throughout Normandy. He chose not to ransom his prisoners because he preferred to keep victims on hand for torture and mutilation. In early 1105 de Bellême incinerated the church of Tournai-sur-Dive, forty-five people were stuck inside and perished in the flames.

The meat of the book, of course, is concerned with Henry I's reign, in England at first then triumphing over Curthose in Normandy. Spencer is good at keeping the tabs on the large cast of important characters - Louis the 'Fat' of France; Archbishop Anselm of Canterbury (whose arguments with Henry I foreshadowed the problems between Becket and Henry II); Roger of Salisbury, Henry's valuable Justiciar; the Montgomery, Beaumont and d'Avranche  families; William Clito (son of Curthose who, being allowed to leave Henry's control, became the latter's biggest error); not to mention Henry's twenty-two illegitimate offspring. But the apple of his eye was his legitimate heir,  William Ǣtheling who, by his father's indulgence, possessed everything but the name of king (William of Malmesbury). Whilst not subscribing to William of Malmesbury's view that no ship that ever sailed brought England such Disaster, the loss of the White Ship (Blanche-Nef) with all on board (bar one, Berold a butcher from Rouen, only there because he was trying to get payment for his meat!), it was clearly a family tragedy. William Ǣtheling was never found: The head which should have worn a crown of gold, was suddenly dashed against the rocks; instead of wearing embroidered robes, he floated naked in the waves; and instead of ascending a lofty throne, he found his grave in the bellies of fishes at the bottom of the sea (Henry of Huntingdon).

His father was to live for another fifteen years, but he left a dangerous vacuum as an inheritance. The vacuum would spew out the Anarchy. Only in 1154, could his grandson, another named Henry, start to rebind the wounds and usher in strong rule again and The Age of the Plantagenets.

Monday 28 December 2020

Do not go gentle into that good night

   Do not go gentle into that good night,                                                                                       Old age should burn and rave at close of day;                                                                        Rage, rage against the dying of the light.

As we come to the end of one of the most unpleasant years in living memory - not just because of the vicious pandemic, but also the repercussions of extremist movements - I thought I would look at how the passing of time affected the 'beauties' of my last Blog.

                             Elizabeth Taylor                                       Ingrid Bergman

                                 Audrey Hepburn                         Greer Garson

                                 Katharine Hepburn                            Maureen O'Hara

                           Olivia de Havilland                           Imogen Stubbs

                                           Sissel                                      Empress Elisabeth

General de Gaulle was being rather mean when he is supposed to have said Old Age is a Shipwreck or, rather, La Vieillesse est un naufrage. However, on certain days, it certainly feels like it.

As Virgil once pondered, meanwhile it is flying, irretrievable time is flying or, rather, Sed fugit interea, fugit inreparabile tempus.

So, my New Year's Resolution for the sunlit uplands of 2021: MAKE THE MOST OF EVERY HOUR!

Sunday 27 December 2020

Movies "resurrect the beautiful dead"

 I was reading an article in last weeks Spectator about Marlene Dietrich and came across this statement of Susan Sontag: "Movies...resurrect the beautiful dead". As a light-hearted end to this annus horribilis, I thought I would try and list my Top Ten of 'beauties' from the cinema/T.V./artistic world. As Alexander Pope wrote (in 'The Rape of the Lock'), 

                                                    Fair Tresses man's imperial race insnare,                                                    And beauty draws us with a single hair.

Looking at my tentative list, it is clear that I prefer brunette and red-heads to blondes and am not that keen on the "busto provocante" type (once said of Gina Lollobrigida). Anyway, here goes - in no particular order!

                                    Elizabeth Taylor                               Ingrid Bergman

                                  Audrey Hepburn                               Greer Garson


                           Katharine Hepburn                                 Maureen O'Hara


                                   Olivia de Havilland                      Imogen Stubbs

                                    Lilian Hall-Davis                   Sissel Kyrkjebǿ

                                               
The Empress Elisabeth of Austria (Sisi)

So, three English (de Havilland; Hall-Davis; Stubbs); two Irish (Garson and O'Hara); an English-American (Taylor); one English-Dutch (Audrey Hepburn), one Swedish (Bergman); one American (Katharine Hepburn); one Norwegian (Kyrkjebǿ); and, as my Number Eleven special guest, one Bavarian (Empress Elisabeth). Nine actresses, a singer and an Empress. All gone, bar two.

Empress Elisabeth of Austria       24 December 1837-10 September 1898 assass.
Lillian Hall-Davis       23 June 1898 - 25 October 1933
Greer Garson       26 September 1904 - 6 April 1996
Katharine Hepburn       12 May 1907 - 29 June 2003
Ingrid Bergman       29 August 1915 - 29 August 1982
Olivia de Havilland       1 July 1916 - 26 July 2020
Maureen O'Hara       17 August 1920 - 24 October 2015
Audrey Hepburn       4 May 1929 - 20 January 1993
Elizabeth Taylor       27 February 1932 - 23 March 2011

Imogen Stubbs      20 February 1961 -
Sissel Kyrkjebǿ      24 June 1969 -

A few bon mots to end with:

The flowers anew, returning seasons bring!
But beauty faded has no second spring.
Ambrose Philips (1675?-1749)

But beauty vanishes; beauty passes; 
However rare - rare it be...
(Walter de la Mare 1873-1956)

...thou who hast
The fatal gift of beauty.
Lord Byron 1788-1824

Above all
Beauty is in the eye of the beholder !

Thursday 24 December 2020

Ǣthelstan - The First King of England

Partly inspired by Bernard Cornwell's novel, Sword of Kings, set in 924 A.D. (see my 21st December Blog), I am reading Sarah Foot's Ǣthelstan: The First King of England, in the Yale English Monarchs Series. Ǣthelstan reigned from 17 July 924 A.D. to 27 October 939 A.D., a period I knew virtually next to nothing about. 

Yale University Press first edition - 2011

In her Epilogue, Foot included me, when she wrote, if one asked a group of educated Britons to name three Anglo-Saxon kings, few would now number Ǣthelstan among those they could recall. Alfred who burnt the cakes would top any list, followed swiftly by Harold (he who died with an arrow in the eye at the battle of Hastings) and then perhaps Ǣthelred the Unready, or Edward the Confessor. The Penguin Monarchs series, appear to agree, including Athelstan and Ethelred with Edward the Confessor (but, strangely, adding Cnut but not Alfred the Great, arguably because he was only ruler of Wessex). Sarah Foot clearly feels the magnitude of Ǣthelstan's achievements deserves greater respect, with the validity of his claim to be reckoned England's first monarch and ruler of the whole of Britain.

Coming from reading biographies of monarchs and statesmen, politicians and literary figures, where there is almost too much source material, I found it interesting to find out how a historian tackled the paucity of records. Sarah Foot, whose photograph on the back dust-wrapper flap shows an alarmingly youthful but keen-as-mustard face, has certainly done wonders. Her Prologue is a 'must read' for any pre-Medieval Historian, as she sets out the limitations of her task - Athelstan the man remains elusive - stating that structuring a coherent biography of a medieval subject...involves from the outset a greater degree of self-conscious construction and manipulation of material to fit artificial categories than might prove necessary for a better-attested person from a modern age. Thus, the tale is constructed around charters, grants of land, other administrative records, minting of coins and diplomatic exchanges with foreign kings and princes.

Foot begins by charting what is known about the end of Alfred's reign and the period under Ǣthelstan's father, Edward the Elder and the Conquest of the Danelaw. She then sketches in Ǣthelstan's conquest of Northumbria (had Bernard Cornwell's hero died then?!) and the acknowledgement of the Welsh princes and King Constantin of the Scots of his overlordship. A chapter on Family follows. Ǣthelstan was unusual in that he never married or had offspring. He surrounded himself at first with his younger (half) brothers and sisters and other nobles and thegns. Foot gives short shrift as to whether Ǣthelstan may have been homosexual. The chapter on the Court describes how peripatetic that was - the king needed to show himself to his subjects - a need still felt today. She gives credence to Cornwell's fiction, in that it is clear Athelstan did not have the same support in East Anglia and Wessex (especially Winchester) as he did in Mercia. His eldest half-brother, Ǣlfweard died, somewhat mysteriously, very soon after their father Edward's death - probably not as in the Cornwell novel, by a sword thrust into his vitals by Ǣthelred, but still mildly suspicious! It meant that Ǣthelred had conveniently lost the obstacle to winning over the Wessex contingent. 

Other chapters on the Church which, unsurprisingly, showed the vital part played by the upper clergy in both home and diplomatic affairs. As Foot writes: These senior prelates collaborated with the king's ambitious plans to achieve the administrative and legal unification of his enlarged kingdom, ensuring that...he governed his united realm as a truly Christian monarch; and War portray as full a rounded picture as possible, given the constraints of source material. For the latter, there is a very useful Appendix on William of Malmesbury's Gesta regum Anglorum (Deed of the English Kings), showing how his writings played a major role in the assessment of Ǣthelstan and his reign.

Inevitably, there are plenty of  sentences with possible, probable, might have, seems to have, we may imagine, may reasonably assume, and the ubiquitous perhaps. However, Foot has made a brave and, certainly, worthwhile and valuable stab at a rounded picture of the man in the context of his times. I concur in her final two sentences:

Brought out of the shadows that have too long obscured his memory, Ǣthelstan now stands revealed in more than one dimension. His is a life not merely to commemorate but also to celebrate.    

King Ǣthelstan's tomb in Malmesbury Abbey

Monday 21 December 2020

Bernard Cornwell's Uhtred of Bebbanburg

 I have just finished Bernard Cornwell's Sword of Kings (published in the hardback edition in 2019).

HarperCollins Publishers - paperback edition, 2020

Now, I do have, and have  read, some Bernard Cornwell novels - the three in the Grail Quest series: Harlequin (2000), Vagabond (2002) and Heretic (2003); Azincourt (2008) and 1356 (2012). All set in my beloved fourteenth and fifteenth centuries. I enjoyed them all. However, I have not been drawn to the Sharpe series, for which Cornwell is probably best-known. I think it's because Sean Bean, an actor who grates on me, played him in the TV series - a daft reason, I know! Neither had I tried any of the dozen Last Kingdom series. 

Cornwell is one of those natural storytellers, who can carry the reader along with an easy narrative style, punctuated by usually believable incidents and dialogue. The novel's hero is a man with his best years behind him - the list of the series at the back of the books shows this is Uhtred's twelfth outing. Variously known as Uhtred the Pagan, Uhtred the Godless, Uhtred the Treacherous, Uhtred Ealdordeofol ('Chief of the Devils'), he had clearly made his mark during the reigns of Alfred the Great (871-899) and his son Edward the Elder (899-924), and that of Aethelflǣd, Lady of the Mercians (911-918). There were frequent references to his previous exploits, so I looked at the reviews on Amazon. The majority were highly favourable from patent fans of Cornwell. However, there were some pertinent comments about Uhtred's age by the time of this story. One reviewer argued that the hero must now be in his mid-eighties but "still fighting like a spring chicken." Another commented: "despite his advanced age, he is still destroying much younger and stronger opponents. This plot line is getting a bit jaded now." This being my first book, it didn't matter so much, but I must admit that the episode where he defeats the huge and fitter Waormund ("He was skilled too, as skilled as any man with a sword, a spear, or an axe. He was younger, taller, he outreached me, and he was probably faster") stretches the reader's credulity too far, especially since Uhtred had not recovered from being dragged naked behind a horse after being nearly punched silly by Waormund only days before.

The story is a simple one. Uhtred of Bebbanburg (Bamburgh in Northumberland) sets out - once again, apparently -  to get involved in the fighting between Wessex, East Anglia and Mercia which will break out on the likely - then actual - death of Edward the Elder. His adventures take in the Isle of Sheppey (Sceapig) and Kent ((Cent); Werlameceaster (St. Alban's) and London (Lundene), and include skirmishes, river and sea travel, and much hand-to-hand (or rather spear-to-spear, axe-to-axe and short sword-to short-sword) fighting. There is mild love interest and plenty of hatred.

Cornwell portrays a believable  character - ruthless enemy, loyal friend, not immune to loss and suffering, capable of major errors, recipient of luck, and, above all, a leader. There is a glossary of Place Names used in the book, which is invaluable if it matters to the reader. Most were obvious, but a few I struggled with (Elentone - Maidenhead; Eoferwic - York). One can get bogged down in the Ǣthels - Ǣthelhelm, Ǣthelstan, Aethelflǣd - as well as Ǣlfweard, but that is a minor quibble and it's not Cornwell's fault!

For some readers of all twelve novels, it appears they have the same story-fatigue which I am experiencing with Susanna Gregory's Matthew Bartholomew books (but not yet with Scott Mariani's Ben Hope exploits).  One even writes: "Come on Bernard, let Uhtred die". Whether Cornwell will try his hand at just one final book for Uhtred, to kill him off, will, of course, be up to him. What the author has done is kindled for me an interest in reading a book that has been on my shelves, unread (or should that be unrǣd?) for far too long:  Sarah Foot's Ǣthelstan: The First King of England (Yale University Press, 2011), one of the Yale's English Monarchs series.



Monday 14 December 2020

Reynard - possibly my joint favourite Wild Animal

 Back in early September, when we were allowed to break out from Purgatory for a few weeks, we had a marvellous, sunny weekend in Salisbury. But it was in Winchester that I was able to visit an enticing little bookshop in the lee of its cathedral (not a patch on Salisbury's!) and snap up five books, including the Gide paperbacks I blogged about awhile back. Also included was an American hardback about a fox - Redcoat by Clarence Hawkes

Milton Bradley Company first edition - 1929

I have just finished it and, as with other previous novels about foxes (see below), it catapults me off the fence - I am against Fox Hunting. All stories about individual wild animals run the danger of being anthropomorphic; apparently, it is considered to be an innate tendency of human psychology. This is particularly the case when the writer gives the animal[s] power of speech. I felt Clarence Hawkes trod the fine line successfully. Moreover, in a Note to the Reader at the beginning of the book, he sensibly writes: Nearly all animal biographies are composite - that is, the life of the particular animal represented, is made up from facts drawn from many sources. The author gets stories from his friends among hunters, trappers and woodsmen, in this way he is enabled to give the reader a complete picture of the life of the animal under all conditions. Redcoat is some fox, who gains the name The Phantom because of his amazing, but feasible, escapades. Whether the enemy is the hunter with his 'thunder stick'; or a vicious trap; or the hounds from hell; or the bobcat; Redcoat defeats them all, even managing a daring escape with his new lady friend from the wire fences of the Sheerfield Fox Farm. It is clear which side the author is on: both the local farmer's teenage son, Bud Holcome, and his girl friend from a neighbouring farm, Kitty Mason, on separate occasions save Redcoat from certain death.

The story reminded me very much of another, this time not set in New England but in Scotland. It was one of the first paperbacks I bought with my own pocket money - during the Winter Term at Prep School when I was twelve years old. Not that long ago, I tracked down a first edition in hardback

          Fontana Books first edition - 1957       Lutterworth Press first edition - 1950

The author, David Stephen, a native of Lanarkshire, spent as much time as possible in the fields watching the habits of birds and animals, by day and night, in all weathers... Apparently, around 2,000 hours of watching foxes helped to create the story of String Lug. Again, it is made clear that he is a 'composite animal'. Like Redcoat, String Lug loses his parents and siblings to local farmers, like Redcoat his life consists of narrow escapes and meaty triumphs and, like Redcoat, he lives to fight for a future beyond the novel's covers. 

Another favourite foxy story of mine was/is Red Ruff: The Life Story of a Fox by the famous naturalist Mortimer Batten (1888-1958). Batten lived in the North West Territory, Canada and, for many years, in Argyll; he became a well-known lecturer and broadcaster for the B.B.C. and published numerous collections about wild animals and birds. He was also a well-known racing motorist!

Puffin Book first edition - December 1947

Chambers published Red Ruff in April 1937. It tells the story of a fox, born among Scottish hills. Batten said that he had, himself, watched all the incidents he described in the life history of Red Ruff. The play of the cubs, his behaviour in moments of danger, the gradual learning by hard experience how to use all his capacities for sheer survival, his speed of movement, his keen scent, his clever brain. Like Redcoat, Red Ruff uses a river, swimming to escape in the final moments of the story. He, too, meets up with a vixen and they go off into the wild: 'Come away, Red Ruff! Come away to the cairn and the hill, where you and I were meant to hunt together...Man was born a hunter. So were we, and this day we have triumphed - their wits and skill to ours, and we have won! Are we not fit to lead them many a lively chase, and yet live on to breed our kind? Come away, Red Ruff!' And Red Ruff followed her.

Inspired by such novels, I also bought this year two non-fiction books:

             Reaktion Books paperback - 2016                Elliott and Thompson - 2016

The first book is in a series of over 80, encompassing a wide variety of wild animals and birds (I also have Badger and Wild Boar). The chapters include The Fox in Nature, Vulpine Myths, Folk Tales and Allegory, and Fox-hunting. It is a book for dipping and skipping into, with some superb colour illustrations. Lucy Jones's  book suggests that no other animal attracts such controversy, has provoked more column inches or been so ambiguously woven into our culture over centuries. It's a fascinating and thought-provoking account, mixing fact, fiction, folklore and Lucy's own family history. As she writes in her very first sentence: Of all the mammals in Britain, it is the fox that has cast its spell on me.

I can't end this Blog, without paying tribute to another nature writer; one of whom many of us (in my age group, at least) will have read and loved - Beatrix Potter. One of my favourite Potter stories was about a fox, and the bonus was the same story included a badger. Unfortunately, Potter wrote, I am going to make a story about two disagreeable people, called Tommy Brock and Mr. Tod. Nobody could call Mr. Tod  "nice". Well, that's possibly why I rather liked and admired them!

Frederick Warne modern edition (first published in 1912)

N.B. Of course, my other joint favourite is the Badger (see my Blog of 8th April). 

Friday 11 December 2020

The LAPD - a book I wouldn't normally read

 My daughter kindly gave me two paperbacks for my birthday and I have just got round to reading, and finishing, one of them - Michael Connelly's The Night Fire.

Orion Fiction paperback - 2020

I'd never heard of Connelly - not surprising really as I rarely read Detective Fiction, particularly any set in America. I remember watching Raymond Burr as Perry Mason, many years ago, but got increasingly annoyed when he never lost a case (he did, actually, lose three - but I never saw them!); similarly, Peter Falk's Columbo irritated me almost from the start. He fastened on to suspects within minutes and was always correct. Nonsense!

Before I started Connelly's novel, I read the snappy comments of other respected sources on the inside cover: The pre-eminent detective novelist of his generation - Ian Rankin; A superb natural storyteller - Lee Child; A master - Stephen King; Crime thriller writing of the highest order - Guardian. Not bad write-ups. This is Connelly's thirty-third novel; his books have sold more than 74 million copies worldwide. Pretty good going. The inside of the back cover shows the previous 32 books' covers with two further reviews: Genuine Modern Classics - Independent on Sunday; and Novels of exceptional quality - The Times. I couldn't wait to get reading!

Actually, the praise was not overblown.  Two seemingly disparate murders are eventually 'joined' by dogged detective work and the third - a 'cold case' - is also wrapped up. I think the linking of the retired 'old hand', Harry Bosch, with the young Renée Ballard (working on the LAPD's notorious graveyard shift) does work. Micky Haller, who fronts Connelly's The Lincoln Lawyer series, has not much more than an early walk-on part. Bosch, the 'hero' of over a score of Connell's previous books, had worked with Ballard before in Dark Sacred Night. The gelling works for them and for the reader.

I learned one word - intoed! It's another name for pigeon-toed. I looked it up, to check Connelly wasn't making it up. Sure enough: Some children’s feet turn in when they walk. This is called intoeing or ‘pigeon toe’ and is very common in young children. It is one of the most common normal variants in children and is usually seen in both feet but may be just one. It was, perhaps, the most important clue in tracking the (female) assassin down - she who drew the two cases together - only one of whose feet intoed. I won't give away any more of the story, except to say that Connelly is good at sketching in a character and he clearly knows the ins and outs of the LAPD and its procedures. Yes, I enjoyed a book I wouldn't normally have chosen. Thank you daughter!

I will be starting the second book soon - Bernard Cornwell's Sword of Kings - and will write another Blog.



Thursday 10 December 2020

Margaret Drabble's 1974 Biography of Arnold Bennett

Arnold Bennett 1867-1931

I must admit I had never read any of Arnold Bennett's books before this year - or Margaret Drabble's for that matter. Then, I bought Bennett's The Old Wives' Tale and thoroughly enjoyed reading it (see my 8th May Blog). I have just finished Drabble's biography of Bennett and find I entirely concurred with her final paragraph on page 356:

He was a great writer from a stony land, and he was also one of the kindest and most unselfish of men. Many a time, rereading a novel, reading a letter or a piece of his journal, I have wanted to shake his hand, or to thank him, to say well done...

Weidenfeld and Nicolson first edition - 1974


Drabble's is a positive biography; thank goodness it wasn't written by the sneering Lytton Strachey type. When Drabble mentions that Clive Bell and Strachey despised Bennett, then it made me warm to him even more. Virginia Woolf's To The Lighthouse, I think I have mentioned previously, was the only 'A' Level set book I didn't get on with. I just wished she'd get them to the bloody lighthouse. Stream of consciousness? Boring stagnant water! Woolf mocked Bennett's stammer and his Potteries accent, his concentration on dull materialism, especially in Hilda Lessways. As for Strachey, he mocked Bennett's establishment - the rooms were peculiarly disgusting - but he also dismissed T. S. Eliot's reading as sad and seedy. Strangely, that is exactly what I think of Lytton Strachey. To be fair to Woolf, she did write in her Diary, Arnold Bennett died last night, which leaves me sadder than I should have supposed. A lovable genuine man: impeded, somehow a little awkward in life; well meaning; ponderous; kindly; coarse; knowing he was coarse; glutted with success...Drabble is good on explaining Hugh Walpole (who had been much helped by Bennett) and Rebecca West when they criticised Bennett's seeming championship of materialism. There speaks another critic of materialism who had never known poverty, and who could not discern Bennett's passionate yearning for fraternity and joy and opportunity for all.

In no particular order, some thoughts occasioned by the book. As an (ex?) Wesleyan Methodist myself, I knew the hold the movement had in the cities of the UK (the Midlands, the North, Wales) but also the more rural, but mining, areas such as North Somerset and Cornwall. Drabble's book, its first chapter on The Five Towns in particular, brings home both the positives and negatives of its pervasive influence in the lives of the lower-middle class (the working class tended to drift to the Primitive Methodists). Of Bennett, she writes, he completely lacked the censorious side of Methodism, its judging, its sniffing and sneering, its righteous scorn for others... if potting was the industry of the district, Methodism was its religion, and the two together formed the Bennett inheritance. At its beginning, Wesleyanism was a genuine working-class movement, which offered spiritual hope and material improvement to its followers... It preached thrift, discipline and frugality. But over the years, the 'improved' Methodist became just as repressive and worldly as the churchmen he had despised. Worse, education of the workforce did not necessarily work to employers' advantage and many actively inveighed against the teaching of writing in the Sunday Schools. There was a strange mixture of emotionalism, enthusiasm, even fervour, and extreme dourness and repression...[Methodism] was masochistic, submissive, debasing...wallowing in their abasement. I remember, at the January Covenant Service in the 1960s, being asked to recite such phrases as being a miserable worm and put me to suffering. As a teenager, no way was I going to agree to such diktats! Drabble's chapter absolutely nails the background under which Bennett grew up.

At each stage of his life, I found I was admiring him. The stifling, narrow-mindedness of Burslem and the Potteries; the loneliness and drudgery of London; the sheer hard work and application as he churned out thousands of words in his journalism; his brave move to France and Paris; his early novels - Anna of the Five Towns (1902), Tales of the Five Towns (1905) etc.; his unsatisfactory and increasingly arid marriage; his real breakthrough with The Old Wives' Tale (1908) and Clayhanger (1910); his entry into London's literary, social and political society, in it but never quite of it. Wealthy enough to run yachts and country houses, but with entirely self-made money. He was at his best writing about the Potteries, although Riceyman Steps (1923) was regarded as one of his finest creations. Yes, he could be coarse - but he was not fake, like so many others; he could be boastful - but he had much to boast about; he craved genuine friendship (he was a great, and often generous, friend to others) as much as love. He was so enthusiastic about travel, about architecture, about modernity. He deserved to have such an empathetic book such as Drabble has served up.

I've decided, that next year, (rather like I have done with Camus, Gide, Housman and several other authors I knew little about), I am going to purchase some of his novels. I will hunt down Penguins - in first edition printings, of course. I see the following are likely candidates: 

Penguin
1936    No. 33         Anna of the Five Towns
1946    No. 519       The Grim Smile of the Five Towns 
1954    No. 996       Riceyman Steps
1954    No. 997       Clayhanger
1954    No. 998       The Old Wives' Tale
1954    No. 999       The Journals of Arnold Bennett

1975                        Hilda Lessways

Update (23 December): I have bought all the above, bar Hilda Lessways and am now also looking for The Grand Babylon Hotel.

Monday 30 November 2020

Richard III - A Ruler and His Reputation

 

Bloomsbury first edition - 2015

Richard III: A Ruler and his Reputation by David Horspool

Bloomsbury, 2015, hardback, 322pp, ISBN 978-1-4279-0299-3, £20.00.                                                    Also available as an e-book ePDF: 978-1-4729-0301-3, ePub: 978-1-4729-0300-6.

David Horspool’s book is a model of balanced judgement with a commendable facility of style. One can almost refer to it as an intelligent person’s guide to the enigma that is Richard Duke of Gloucester, later King Richard III. He eschews equally the ‘Black Legend’ and the ‘Maligned Monarch’ that has bedevilled so much of our thinking. With 28 pages of Notes, 9½ pages of Bibliography and a 10 page Index, Horspool, who is the History Editor of the Times Literary Supplement, has produced an important addition to any Ricardian’s shelves.

Horspool states that his book aims at ‘neutrality’ (p.5), but I would argue that is too anaemic a word. Rather, his account is a pleasingly objective one – a rarity in the historiography of Richard III. He rightly points out that ‘part of the fascination of Richard is that he has become a myth, a model of evil or of wronged righteousness, depending on the storyteller.’ (p.6) Horspool is not afraid to highlight the wilder comments of other historians: dismissing Paul Murray Kendall’s view that Richard and Anne had known each other well in childhood as ‘fantasy’ (p.50); caustically taking Michael Hicks to task at least twice – ‘It is tendentious to argue, as one reputable historian has done, that “the man who maltreated the frail old Countess of Oxford was potentially capable of murdering the Princes in the Tower”’ (p.103), and ‘Richard as a “serial incestor” turns out to be an ingenious modern version of the bottled spider, the duke whose every move conceals a dastardly motive, with as much basis in reality.’ (p.107) Surely, Horspool is correct when he avers that too many read back the drama in Richard’s brief reign into the life that preceded it. Contemporary or near contemporary sources are also summarily dealt with: the Crowland Chronicler writes from a position of ‘settled hostility’ (p.215) with a ‘suspect light’ (p.219) and ‘personal distaste’ (p.257) on most issues; while the blessèd Sir Thomas More is simply biased.

Part of Horspool’s strength in argument is the stylistically deft touch he applies: ‘The Duke of York’s power was one with an expiry date.’ (p.27); ‘In the absence of the Duke of Somerset, the king [Henry VI] did not become his own man, he merely attracted a new puppet master.’ (p.29); ‘…but added to constant movement in the case of the York children was near constant apprehension.’ (p.40) – with occasional shafts of humour: on Richard’s finding of his future wife: ‘It seems more likely that if the subterfuge really did take place, the discovery of Anne was more a case of retrieving a concealed asset than a lost love’ (p.105); ‘Subscriptions to a Duke of Buckingham society, would not, one suspects, raise enough for a dinner, let alone an excavation.’ (p.196)

Accepting that ‘for a king who spent just over two years on the throne, [Richard] has received an extraordinary, perhaps even an unsustainable, level of attention and range of opinion’, Horspool concludes that ‘reconstructing Richard is often an exercise in admitting our ignorance…and deciding on the balance of probabilities” (p.3). Research is not helped by the fact he had a near invisible childhood and even in his ‘formative years’ as the Duke of Gloucester, ‘he is frequently missing from the record.’ (p.3) Whilst the imprint that Richard left on his time was impersonal, ‘the personality that lay behind those acts is thus ripe for speculation’ (p.4), Horspool argues that many of the contradictions in Richard’s personality can become more explicable if one sticks closely to chronology. Richard seems to have been able to adapt to change in an often changeable world, and one of this biographer’s main themes is the role that chance played in his life: ‘the sense that nine times out of ten, events would have taken a different course, is perhaps the main element in the “mystery” of Richard III. As much as disputes over facts or interpretations of motive, it is chance that makes his life so inexhaustibly interesting.’ (p.16)

In particular, (and a hot potato within present Ricardian debate), this is argued in Horspool’s approach to Richard’s relationship with the North. He suggests that it was a pragmatic rather than an emotional connection. That Richard became a magnate whose power base was in the north is incontrovertible. That he came to rely on that affinity after he seized the throne is also true. He spent a lot of time in the north, ‘but as a boy and as a young man it was not his choice to go…as a king he spent about 60 per cent of his time south of Nottingham…the north remained important, but not to an overwhelming degree…he was not a “northern king” except by force of circumstance.’ (p.50) Horspool points out that Richard could as easily have been a “Welsh king” if he had become Edward’s long term representative in Wales. After Warwick’s/Clarence’s first rebellion, Edward IV’s rewards to Richard included establishing a genuine sphere of influence for his brother in Wales (Chief Justice of North Wales and in February 1470, Chief Justice of South Wales).” As with so much in Richard’s career, a series of unpredictable incidents had given him a role – he might have been known for a special affinity with Wales not the North. ‘Neither region was, in truth, any more “natural” a base for him than anywhere else.’ (p.66) Richard’s guiding principle was to extend his influence, mostly in the north, but elsewhere as well. Much of his activity may have been in response to changing circumstances (deaths of rivals, unpredictability of war), but Horspool uses the historian Seeley’s well-known comment on the British Empire being acquired ‘in a fit of absence of mind’ to contrast it with Richard’s ‘sustained bout of presence of mind’ in assembling his ‘empire’.

Horspool also emphasises Richard’s ruthlessness, pointing to the undoubted influence of Warwick: ‘Richard’s formative years were spent in the orbit of a supreme practiser [sic] of late-medieval realpolitik.’ (p.47). He  refers to an example in March 1471, when the eighteen year-old argued, unsuccessfully, that Martin de la Mere (who had clashed with Edward IV at York) should be killed. Horspool’s Richard is a figure who achieves his goal by a mixture of luck and ruthlessness. Richard’s ‘first public act as an adult prepared him for a professional life of violence and the use of law as an instrument of implacable, though sometimes very personal, royal will.’ (p.60) In January 1469, he had presided over a commission of oyer and terminer at Salisbury, which had led to Thomas Hungerford and Henry Courtenay being hanged, drawn and quartered. ‘[Richard] was born into, and died in, a time of violence, uncertainty and strife.’ (p.24)

Richard had experienced at first hand the consequences of allowing a deposed king to live and the lessons of 1471 were clear. Horspool clears him of involvement in Prince Edward’s death and argues that it is surely beyond doubt that it was Edward who ordered Henry’s demise: ‘…not only is there no proof of (Richard’s) guilt: it is untenable that he could have committed the crime unless his brother the king meant him to.’ (p.92) So, did Richard order his nephews’ deaths? ‘The short answer is that we don’t know. All the ingenious theorizing and posthumous mudslinging that have made the fate of the “Princes in the Tower” a historical cause célèbre depend on the lack of concrete evidence.’ (p.180) However, Ricardians may well take issue with Horspool’s summary: ‘The conclusion seems difficult to avoid, that Richard didn’t show that the princes were alive, because they weren’t…the balance of probabilities is very firmly for the princes’ premature death… (p.182) The fate of Edward V and Richard of York mattered to contemporaries very much, and if we want to understand Richard and his time, it should therefore matter to us (p.165)…Richard’s short reign was dominated by a struggle to prove his legitimacy. If it was a crisis of legitimacy that eventually brought his downfall, its origins surely lie in the alleged murder of Edward V aged twelve, and his brother Richard of York, aged nine.’ (p.186)

Although Horspool reiterates the contemporary view that a strong king made for a strong country (‘the pre-condition for over-mighty subjects is an “under-mighty ruler”’), he does charge Richard with one grave crime:  the killing without trial of Lord Hastings – ‘any competent prosecutor could secure a conviction against Richard for murder’, (p.158). By then, he had made too many enemies to turn back – ‘the throne was the only seat in the country that could offer him some protection’. (p.160)

Horspool’s Richard is a man with an acute sense of honour and personal dignity but not the ‘light touch that served subtler rulers’, such as Edward IV and Louis XI. ‘By a combination of bad luck, bad timing and bad judgement, Richard eventually faced a formidable coalition of foreign powers gathered against him. Although domestic opposition would remain important, it was Richard’s unsuccessful handling of foreign policy – his inability to inhabit the role of European as well as English monarch effectively – that turned out to be the most serious failure in his short reign’. (p.191) Other mistakes included the appointment of his nephew, the Earl of Lincoln, to the presidency of the Council of the North in July 1484, rather than his old rival, the Earl of Northumberland. Richard ‘did have a choice to make, and he probably made the wrong one’ (p.223) Moreover, in the aftermath of the so-called Buckingham Rebellion, there was ‘if not a vacuum in local government, then a significant void.’(p.202); the plantation of outsiders was bound to cause resentment. All Richard’s actions can be seen through the prism of wanting to attract support and his time simply ran out.

‘It was not misrule that threatened Richard. It was a challenge to his right to rule, and a credible challenger to make such a claim.’ (p.230) If Richard could defeat Henry Tudor in battle (Towton and Tewkesbury must surely have come to his mind), then time and security would be gained. However, (at Bosworth) ‘it may be a tactical miscalculation rather than a failure of moral leadership that really let Richard down.’ (pp.246-7) – the marsh that hemmed Northumberland in from attacking Oxford’s flank as the latter moved against the king’s right wing.

Horspool’s Richard between 1483-1485 is a tragic figure: on Edward IV’s death, Richard might ‘have been envisaged as the ideal figure to steer the young king through his early years…being a powerful, experienced and trustworthy figure on the model of William Marshal’. (p.143) Why did he risk everything for a tilt at the crown? Horspool carefully puts forward an understandable case for the defence: Richard’s prestigious appointments could be taken away by new king or his advisers. His Neville properties were not wholly secure – George Neville died as Richard entered London, which left the latter with no legitimate heritable claim to a swathe of his northern estates. His finances were shaky: the campaign against Scotland and the acquiring and retaining of estates had drained his resources. Richard simply realised that he had to remove Woodville influence or his own power, sooner or later, would be eclipsed. When that proved impossible as Protector, he decided to aim higher.

Horspool’s verdict on Richard’s rule is sympathetic but damning for all that. ‘It had taken Henry VI around twenty years of incompetence and eventually incapability to lose the support of a significant proportion of the nobility…Richard did it in just two years…not because he was incompetent, nor because his rule was so tyrannical as to be intolerable. It was because he never established his legitimacy to the satisfaction of enough of his subjects, particularly the most powerful…[his] failure meant that he had no chance to redeem his kingship…his record of failure cannot be overturned.’ (p.266)… ‘In the end, of the two mottoes associated with Richard, it was not “Loyauté me lie” that proved to be his undoing. It was “Tant le desirée” (I have longed for it – for glory, for the rewards of chivalry – so much) that led him to death.’ (p.249)… ‘Richard was ambitious, ruthless and occasionally impulsive. He was also a pious man of destiny, who retained a faith in the code of chivalry. He may at least…have convinced himself of the rightness of his cause…Richard III believed in his own publicity. Very likely he also died believing in it.’ (p.250)   

Saturday 28 November 2020

Scott Mariani's 22nd Ben Hope Thriller

 

Avon paperback original - 2020

Scott Mariani's latest Ben Hope thriller arrived from Amazon UK on Thursday 26th November, in the late afternoon. I finished it during Friday. I had looked forward to it since June, when I had gulped down The Pretender's Gold. It did not disappoint. In fact, The Demon Club is one of his best. I don't think it is just because it is freshest in my mind, but that it is a rattling good yarn. With settings in West Sussex, Surrey and more briefly in the Fort William area, Aragon and the Isle of Man, much of it is believable - even if the central premise and the blazing finale seem far fetched. 'The art of the possible' is a useful mantra to hang thrillers on.

Once again, Hope remains firmly in the centre of the plot, although there are far-away explanatory scenes between other characters, both good and bad. Charged with killing another ex-SAS soldier (or his new Scottish policewoman girlfriend will be shot), Ben track Jaden Wolf down, but then they both work together to bring down a Satanic cult, with its base in Surrey and a membership of the Great-but-not-Good, who worship the ancient Egyptian god Thoth. Even Hope is not superhuman and his Le Val partners, Jeff Dekker and Tuesday Fletcher (both fascinating characters in their own right) are, unbeknown to Him, able to rescue his girl Grace Kirk, from the evil cult's clutches. Moreover, Hope has several moments of weakness and despair (worrying about his girlfriend and his sister's safety) with recourse to bottles of Scotch. The mutual respect for his buddies shines throughout the book. 

The scene in the Isle of Man, where Hope and Wolf meet Vincent Eritas ('Veritas' - gettit?!) is splendidly eerie/creepy, even if his lair is really beyond belief. There are plenty of bodies along the way: six in Spain; two who were about to kidnap Grace; four in West Sussex, and well over fifty at the denouement at Karswell Hall and its lake island. All deserved!

There is a History lesson, ranging from the Hellfire Club of Sir Francis Dashwood in the eighteenth century through to Aleister Crowley and his early twentieth century collection of occult clubs, such as the Hermetic Order of the Golden Dawn, the Order of Thoth and, now, the Pandemonium Club. It is certainly pandemonium when Hope and Wolf, bolstered by Dekker and Fletcher plus Reaper Rigby, another old flame from the SBS, blast their way to take control of fifty or so flabby, unfit, unhealthy men in their middle age and above, whose idea of exercise was a leisurely round of golf and whose main form of cardiac workout was watching innocent people (usually young girls) get violently put to death just for fun. Members included one who was a likely Prime Minister in waiting; another was M.P. for Worcester; others were senior police officers, politicians and lawyers. And all perished in a deserved inferno in the banquet room of Karswell Hall because the helicopter carrying their Grand Master and his evil henchman to 'safety' was pinged by Ben Hope and crashed into the roof of the Hall. Very good riddance! I am not a conspiracy theorist (apart from China's role in the Civid-19 pandemic), but it doesn't take much imagination to think there are these occult groupings round the world, which include amongst their members men (it's nearly always men) who lead important and 'upright' lives in the legal, political and other commanding positions in Society.

So, thank you again Scott Mariani. I can't wait for the 13th of May 2021, when the next Ben Hope, as yet unnamed, thriller lands on my doorstep.

James Ross's 'Henry VI'

 

Allen Lane first edition - 2017

Henry VI A Good, Simple and Innocent Man by James Ross    Allen Lane (Penguin Books), 2016 hardback, 118 pp. ISBN 978-0-141-97834-7                   £12.99


Having been brought up on two block-busters (Bertram Wolfe at 400 pages and R.A. Griffiths at a massive, hernia-inducing 976 pages), both published in 1981, it was some relief to be reading James Ross’s mere hundred odd pages on Henry VI. Would this succinct survey align itself with Griffiths’ well-intentioned, credulous and merciful monarch who lacked political experience and astuteness; or would it favour Wolffe’s more critical approach towards a king whom he argued was vindictive and perverse as well as inept?

Ross makes the obvious point, if not always adhered to by other ‘historians’, that if “it is difficult enough for biographers to grasp the personality and character of great figures of the twentieth or twenty-first centuries…it is far more difficult for medieval historians to grasp the personality and character of those living five hundred years before, even that of a king.” However, Ross’ work is character-driven and all the better for it. His most interesting chapter is entitled ‘Behind the Façade’ and what sombre reading it makes. One quotation from K.B. McFarlane – Henry’s “second childhood succeeded first without the usual interval” – is typically apt.

Henry’s early years were inevitably dominated by the war with France and the political rivalry of his uncle Humphrey, duke of Gloucester and his great-uncle Henry, Cardinal Beaufort. His ceremonial    and formal role began in 1429, when he was crowned King of England at Westminster. It was the death of his elder uncle, the duke of Bedford, in September 1435 that forced Henry “into closer involvement in the active ruling of his kingdoms”. However, powerful personalities continued to dominate him throughout his reign: Bedford, Gloucester and Beaufort were succeeded by the dukes of Suffolk and Somerset and Henry’s wife, Margaret of Anjou. Late medieval kings were expected to govern personally, yet “carelessness, lack of attention to detail and sheer incompetence were the hall marks of the king’s involvement in government”, for which, seemingly, he had little interest. This biography perhaps should have been subtitled ‘The occasional king’.

Ross does not exclude Henry entirely from the decision-making, even when Somerset seemed to be responsible for the direction of policy. He argues that Henry must take “the lion’s share” of the blame for the prioritization of domestic expenditure over overseas defence and the failure to give military leadership. He was the only medieval king of England (apart from Edward V) not to lead an army in  war against a foreign enemy.  Henry was simply devoting what energies he had to his soul. Piety was to be the keynote of his kingship. “Put kindly, Henry had a deep, sincere and prominent faith; put unkindly, his was an excessive, consuming and compulsive religiosity.” Perhaps, as Ross suggests, the only tangible achievements of his reign were the founding of Eton College (1440), King’s College, Cambridge (1441) and the endowment of a new Library at Salisbury Cathedral (1445).

In early August 1453 Henry took leave of his senses; they would never be fully recovered. The illness was probably catatonic schizophrenia – “no adult king of England before this date had ever fully lost his mental faculties”. The obvious, really only, choice to govern in the king’s stead was the duke of York. The end of the latter’s Protectorate in February 1456 also marked the end of effective government and the slide into further factionalism and civil war was entirely predictable. It is hard to counter R.L. Storey’s comment that “if Henry’s insanity had been a tragedy, his recovery was a national disaster”. The crown’s policy towards York and his followers bordered on the incoherent. Edward’s victory at Towton “turned Henry, over the next decade, successively into a fugitive, a prisoner, a puppet, and finally a victim of murder”. Henry had become “a stuffed wool sack lifted by his ears, a shadow on the wall, bandied about as in a game of blind-man’s buff, submissive and mute…like a crowned calf” (George Chastellain, 1471).

Few would disagree with Ross that here was one of the least able and least successful kings ever to rule England. Henry may have been born great and had greatness thrust upon him, but he never achieved greatness. One can also concur with the author that it is hard not to feel some sympathy for Henry – “a decent man placed by accident of birth in a role to which he was entirely unsuited” . Perhaps Sellar and Yeatman’s 1066 and All That has a valid assessment of Henry VI: “When he grew up, however, he was such a Good Man that he was considered a Saint, or alternatively (especially by the Barons) an imbecile.”           

As with all the volumes in this excellent Penguin Monarchs series, there are some very useful Notes and Further Reading, and pertinent colour illustrations. I noticed only one typo - in the Family Tree: Cardinal Beaufort died in 1447 not 1477.